نقد و بررسی رمان Gone with the Wind نوشته‌ی Margaret Mitchell

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[h=3]Context[/h] Margaret Mitchell was born in Atlanta, Georgia, in 1900. Her father was a lawyer and the president of the Atlanta Historical Society, and her mother was a suffragette (a woman in support of extending the right to vote, especially to women) and an advocate of women’s rights in general. Mitchell grew up listening to stories about Atlanta during the Civil War, stories often told by people who had lived through the war. Mitchell attended Smith College, a women’s college in Northampton, Massachusetts. In 1919, she returned to Atlanta and began to live a lifestyle considered wild by the standards of the 1920s. After a disastrous first marriage, Mitchell began a career as a journalist and married an advertising executive named John Robert Marsh. In 1926, encouraged by her husband, Mitchell began to write the novel that would become Gone with the Wind. She went through nine complete drafts of the thousand-page work, setting an epic romance against the Civil War background she knew so well. In the first eight drafts, the protagonist was called Prissy Hamilton, not Scarlett O’Hara (as the character was renamed in the final draft).

Gone with the Wind differs from most Civil War novels by glorifying the South and demonizing the North. Other popular novels about the Civil War, such as Stephen Crane’s The Red Badge of Courage, are told from a Northern perspective and tend to exalt the North’s values. Mitchell’s novel is unique also for its portrayal of a strong-willed, independent woman, Scarlett O’Hara, who shares many characteristics with Mitchell herself. Mitchell frequently defied convention, divorcing her first husband and pursuing a career in journalism despite the disapproval of society.
Gone with the Wind was published in 1936, ten years after Mitchell began writing it. A smash success upon publication, Gone with the Wind became—and remains even now—one of the best-selling novels of all time. It received the 1937 Pulitzer Prize. In the late 1930s a film version of the novel was planned, and David O. Selznick’s nationwide search for an actress to play Scarlett O’Hara captivated the nation’s attention. The resulting film starred Vivien Leigh and Clark Gable as Scarlett O’Hara and Rhett Butler, and it quickly became one of the most popular motion pictures of all time.
Mitchell was less than thrilled by the sweeping popularity of her work. She found the spotlight uncomfortable and grew exhausted and ill. Gone with the Wind is her only novel, though she continued to write nonfiction. Mitchell volunteered extensively during World War II and seemed to regain her strength. In 1949 a car struck and killed Mitchell while she was crossing Peachtree Street in Atlanta.
Many critics question the literary merit and outdated racial stances of Gone with the Wind. Some consider the novel fluffy, partly because women of Mitchell’s time rarely received credit for serious literary fiction and partly because the novel features a romance along with its historical plot. Both blacks and whites have harshly criticized Mitchell’s sympathetic depiction of slavery and the Ku Klux Klan and her racist depiction of blacks. The novel is most valuable if read with an understanding of three historical contexts: our own, Mitchell’s, and Scarlett’s.

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[h=3]Plot Overview[/h] It is the spring of 1861. Scarlett O’Hara, a pretty Southern belle, lives on Tara, a large plantation in Georgia. She concerns herself only with her numerous suitors and her desire to marry Ashley Wilkes. One day she hears that Ashley is engaged to Melanie Hamilton, his frail, plain cousin from Atlanta. At a barbecue at the Wilkes plantation the next day, Scarlett confesses her feelings to Ashley. He tells her that he does love her but that he is marrying Melanie because she is similar to him, whereas he and Scarlett are very different. Scarlett slaps Ashley and he leaves the room. Suddenly Scarlett realizes that she is not alone. Rhett Butler, a scandalous but dashing adventurer, has been watching the whole scene, and he compliments Scarlett on being unladylike.

The Civil War begins. Charles Hamilton, Melanie’s timid, dull brother, proposes to Scarlett. She spitefully agrees to marry him, hoping to hurt Ashley. Over the course of two months, Scarlett and Charles marry, Charles joins the army and dies of the measles, and Scarlett learns that she is pregnant. After Scarlett gives birth to a son, Wade, she becomes bored and unhappy. She makes a long trip to Atlanta to stay with Melanie and Melanie’s aunt, Pittypat. The busy city agrees with Scarlett’s temperament, and she begins to see a great deal of Rhett. Rhett infuriates Scarlett with his bluntness and mockery, but he also encourages her to flout the severely restrictive social requirements for mourning Southern widows. As the war progresses, food and clothing run scarce in Atlanta. Scarlett and Melanie fear for Ashley’s safety. After the bloody battle of Gettysburg, Ashley is captured and sent to prison, and the Yankee army begins bearing down on Atlanta. Scarlett desperately wants to return home to Tara, but she has promised Ashley she will stay with the pregnant Melanie, who could give birth at any time.
On the night the Yankees capture Atlanta and set it afire, Melanie gives birth to her son, Beau. Rhett helps Scarlett and Melanie escape the Yankees, escorting them through the burning streets of the city, but he abandons them outside Atlanta so he can join the Confederate Army. Scarlett drives the cart all night and day through a dangerous forest full of deserters and soldiers, at last reaching Tara. She arrives to find that her mother, Ellen, is dead; her father, Gerald, has lost his mind; and the Yankee army has looted the plantation, leaving no food or cotton. Scavenging for subsistence, a furious Scarlett vows never to go hungry again.
Scarlett takes charge of rebuilding Tara. She murders a Yankee thief and puts out a fire set by a spiteful Yankee soldier. At last the war ends, word comes that Ashley is free and on his way home, and a stream of returning soldiers begins pouring through Tara. One such soldier, a one-legged homeless Confederate named Will Benteen, stays on and helps Scarlett with the plantation. One day, Will brings terrible news: Jonas Wilkerson, a former employee at Tara and current government official, has raised the taxes on Tara, hoping to drive the O’Haras out so that he might buy the plantation. Distraught, Scarlett hurries to Atlanta to seduce Rhett Butler so that he will give her the three hundred dollars she needs for taxes. Rhett has emerged from the war a fabulously wealthy man, dripping with earnings from his blockade-running operation and from food speculation. However, Rhett is in a Yankee jail and cannot help Scarlett. Scarlett sees her sister’s beau, Frank Kennedy, who now owns a general store, and forges a plan. Determined to save Tara, she betrays her sister and marries Frank, pays the taxes on Tara, and devotes herself to making Frank’s business more profitable.
After Rhett blackmails his way out of prison, he lends Scarlett enough money to buy a sawmill. To the displeasure of Atlanta society, Scarlett becomes a shrewd businesswoman. Gerald dies, and Scarlett returns to Tara for the funeral. There, she persuades Ashley and Melanie to move to Atlanta and accept a share in her lumber business. Shortly thereafter, Scarlett gives birth to Frank’s child, Ella Lorena.
A free black man and his white male companion attack Scarlett on her way home from the sawmill one day. That night, the Ku Klux Klan avenges the attack on Scarlett, and Frank ends up dead. Rhett proposes to Scarlett and she quickly accepts. After a long, luxurious honeymoon in New Orleans, Scarlett and Rhett return to Atlanta, where Scarlett builds a garish mansion and socializes with wealthy Yankees. Scarlett becomes pregnant again and has another child, Bonnie Blue Butler. Rhett dotes on the girl and begins a successful campaign to win back the good graces of the prominent Atlanta citizens in order to keep Bonnie from being an outcast like Scarlett.
Scarlett and Rhett’s marriage begins happily, but Rhett becomes increasingly bitter and indifferent toward her. Scarlett’s feelings for Ashley have diminished into a warm, sympathetic friendship, but Ashley’s jealous sister, India, finds them in a friendly embrace and spreads the rumor that they are having an affair. To Scarlett’s surprise, Melanie takes Scarlett’s side and refuses to believe the rumors.
After Bonnie is killed in a horse-riding accident, Rhett nearly loses his mind, and his marriage with Scarlett worsens. Not long after the funeral, Melanie has a miscarriage and falls very ill. Distraught, Scarlett hurries to see her. Melanie makes Scarlett promise to look after Ashley and Beau. Scarlett realizes that she loves and depends on Melanie and that Ashley has been only a fantasy for her. She concludes that she truly loves Rhett. After Melanie dies, Scarlett hurries to tell Rhett of her revelation. Rhett, however, says that he has lost his love for Scarlett, and he leaves her. Grief-stricken and alone, Scarlett makes up her mind to go back to Tara to recover her strength in the comforting arms of her childhood nurse and slave, Mammy, and to think of a way to win Rhett back.


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[h=3]Character List[/h] Scarlett O’Hara - The novel’s protagonist. Scarlett is a pretty, coquettish Southern belle who grows up on the Georgia plantation of Tara in the years before the Civil War. Selfish, shrewd, and vain, Scarlett inherits the strong will of her father, Gerald, but also desires to please her well-bred, genteel mother, Ellen. When hardships plague Scarlett, she shoulders the troubles of her family and friends. Scarlett’s simultaneous desire for the Southern gentleman Ashley and the opportunistic New Southerner Rhett Butler parallels the South’s struggle to cling to tradition and still survive in the new era.


Rhett Butler - Scarlett’s third husband, and a dashing, dangerous adventurer and scoundrel. Expelled from West Point and disowned by his prominent Charleston family, Rhett becomes an opportunistic blockade-runner during the war, emerging as one of the only rich Southern men in Atlanta after the war. Rhett proves himself a loving father and, at times, a caring husband. Though he loves Scarlett, his pride prevents him from showing her his love, and it even leads him to brutality. Candid, humorous, and contemptuous of silly social codes, Rhett exposes hypocrisy wherever he goes. He represents postwar society, a pragmatic, fast-paced world in which the strong thrive and the weak perish.


Ashley Wilkes - The handsome, chivalrous, and honorable heir to the Twelve Oaks plantation near Tara. Ashley bewitches Scarlett through most of the novel. After the war, Ashley becomes resigned and sad, and he regrets not marrying Scarlett. Committed to his honor and Southern tradition, he cannot adjust to the postwar South. Ashley represents the values and nostalgia of the Old South.


Melanie Hamilton Wilkes - The frail, good-hearted wife of Ashley Wilkes. Melanie provokes Scarlett’s jealous hatred throughout most of the novel. After the two women suffer together through the Civil War, however, a strong bond forms between them. Eventually, Scarlett understands that Melanie’s unflagging love and support has been a source of strength for her. Like Ashley, Melanie embodies the values of the Old South, but in contrast to Ashley’s futile dreaming, Melanie faces the world with quiet but powerful inner strength.

Gerald O’Hara - Scarlett’s father. Gerald is a passionately loyal Confederate who immigrated to America from Ireland as a young man. His strong will, tendency to drink, and selfishness echo in Scarlett’s nature. Scarlett also inherits Gerald’s love for the South and for his plantation, Tara.

Ellen O’Hara - Scarlett’s mother, and a descendent of the aristocratic Robillard family. Ellen marries Gerald and devotes herself to running Tara after her father forbids her love affair with Philippe, her cousin. Refined and compassionate, strong and firm, Ellen serves as an impossible ideal for the willful Scarlett. Even after Ellen’s death, Scarlett struggles with the competing desires to please her mother and please herself.

Mammy - Scarlett’s childhood nurse. Mammy is an old, heavyset slave who was also nurse to Scarlett’s mother, Ellen. Loyal and well-versed in Southern etiquette, Mammy keeps Scarlett in line. After Ellen’s death, Mammy becomes for Scarlett one of the only living reminders of the Old South.

Frank Kennedy - Scarlett’s weak-willed but kind second husband. Frank is described as an “old maid in britches.” Scarlett steals him away from her sister Suellen so that he will pay the taxes necessary to save Tara.

Charles Hamilton - Melanie’s brother and Scarlett’s first husband. Charles is a timid and bland boy for whom Scarlett feels no love. Charles’s death early in the war confines Scarlett to the role of widow. Scarlett finds the social expectations surrounding widowhood—that she wear a black veil, for example, and refrain from laughter and pleasure—overly restrictive.

Aunt Pittypat Hamilton - Melanie and Charles Hamilton’s aunt. Aunt Pittypat is a flighty old maid who faints from shock several times a day. Scarlett lives with Aunt Pittypat for much of her stay in Atlanta.

Bonnie Blue Butler - Scarlett’s third and last child. Bonnie is the daughter of Rhett Butler. Spoiled and strong-willed like her mother, Bonnie elicits utter devotion from Rhett and eventually replaces Scarlett as the center of Rhett’s attention.

Suellen O’Hara - Scarlett’s younger sister. Suellen is a selfish, petty girl who marries Will Benteen after Scarlett steals Frank from her.

Carreen O’Hara - Scarlett’s youngest sister. Carreen is a good-natured girl who turns to religion after the war and joins a convent.

India Wilkes - Ashley’s cold and jealous sister. India never forgives Scarlett for stealing Stuart Tarleton from her during their youth. At one point India catches Scarlett embracing Ashley and gossips about the sight, causing a great debate among all of Atlanta society.

Big Sam - The gigantic slave and foreman of the field hands at Tara. Big Sam saves Scarlett from her attacker in Shantytown.

Pork - Gerald O’Hara’s first slave. Pork is loyal and devoted to the O’Haras.

Prissy - The daughter of Dilcey, a slave at Twelve Oaks. Prissy is a foolish, lazy young slave prone to telling lies. The late discovery of Prissy’s lie that she knows how to assist at childbirth compels Scarlett to deliver Melanie’s baby herself, which is one of Scarlett’s first significant acts of self-sufficiency.

Emmie Slattery - A young woman whose poor white family lives in the swamp bottom near Tara. Emmie is considered “white trash,” and Scarlett’s class-conscious, genteel society dislikes Emmie, as does the narrator.

Jonas Wilkerson - The Yankee overseer of Tara whom Gerald fires for impregnating Emmie Slattery. Jonas works for the Freedmen’s Bureau after the war and marries Emmie. He raises taxes on Tara to try to force out the O’Haras, prompting Scarlett’s marriage to Frank Kennedy.

Belle Watling - An Atlanta prostitute with whom Rhett Butler has a long-term affair. She wins the gratitude of the Atlanta Ku Klux Klan by providing them with an alibi for a murder.

Will Benteen - A one-legged Confederate soldier who becomes a fixture at Tara after the war despite his lack of family or wealth. Will makes Tara a marginally profitable farm. His competence allows Scarlett to move to Atlanta and leave him in charge.

Wade Hampton Hamilton - Scarlett’s oldest child. The son of Charles Hamilton, Wade inherits his father’s timid and bland disposition.

Ella Lorena Kennedy - Scarlett’s second child. Ella Lorena is the ugly, silly daughter of Frank Kennedy.


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[h=3]Analysis of Major Characters[/h] [h=4]Scarlett O’Hara[/h] The protagonist of Gone with the Wind, Scarlett is a dark-haired, green-eyed Georgia belle who struggles through the hardships of the Civil War and Reconstruction. Scarlett exhibits more of her father’s hard-headedness than her mother’s refined Southern manners. Although initially she tries to behave prettily, her instincts rise up against social restrictions. Determination defines Scarlett and drives her to achieve everything she desires by any means necessary. This determination first manifests itself in her narcissistic and sometimes backstabbing efforts to excite the admiration of every young man in the neighborhood. Later, under threat of starvation and even death, she is determined to survive and does so by picking cotton, running her entire plantation, forging a successful business, and even killing a man.

Scarlett also aims to win Ashley Wilkes, and her failure to do so guides the plot of the novel. Ashley’s marriage to Melanie Hamilton and rejection of Scarlett drive nearly all of Scarlett’s important subsequent decisions. Scarlett marries Charles Hamilton to hurt Ashley, stays by Melanie’s side through the war because she promises Ashley she will, and loses her true love, Rhett Butler, because of her persistent desire to win Ashley.
Scarlett possesses remarkable talent for business and leadership. She recovers her father’s plantation, Tara, after the war leaves it decimated, and she achieves great success with her sawmill in Atlanta. Despite her sharp intelligence, however, she has almost no ability to understand the motivations and feelings of herself or others. Scarlett lives her life rationally: she decides what constitutes success, finds the most effective means to succeed, and does not consider concepts like honor and kindness. She often professes to see no other choices than the ones she makes.
Scarlett’s development precisely mirrors the development of the South. She changes from spoiled teenager to hard-working widow to wealthy opportunist, reflecting the South’s change from leisure society to besieged nation to compromised survivor. Scarlett embodies both Old and New South. She clings to Ashley, who symbolizes the idealized lost world of chivalry and manners, but she adapts wonderfully to the harsh and opportunistic world of the New South, ultimately clinging to dangerous Rhett, who, like Scarlett, symbolizes the combination of old and new.

[h=4]Rhett Butler[/h] Dark, dashing, and scandalous, Rhett Butler brings excitement to Scarlett’s life and encourages her impulse to change and succeed. Thrown out of both West Point and his aristocratic Charleston family for dishonorable behavior, Rhett, like Scarlett, goes after what he wants and refuses to take ‘no’ for an answer. He earns his fortune through professional gambling, wartime blockade-running, and food speculation, behavior that earns him the contempt and even hatred of what he terms the Old Guard—the old Southern aristocracy. Rhett sees through hypocrisy and self-delusion, horrifying people by cutting down their egos and illusions with agility and pleasure.

Whereas Ashley cannot face reality and change, Rhett thrives on both. Because of his opportunism, Rhett symbolizes the New South. However, as the novel progresses, we see that Rhett does care about the Old South. At two critical points in the novel, Rhett abandons Scarlett to commit himself to the Old South. First, he leaves Scarlett in hostile territory and joins the Confederate army. Second, at the end of the novel he leaves Scarlett and goes in search of remnants of the Old South. This sentimentality complicates Rhett’s character and reveals that he is partially motivated by emotion. Ultimately, Rhett symbolizes pragmatism, the practical acceptance of the reality that the South must face in order to survive in a changed world. He understands that the U.S. government has overhauled the Southern economy and that the old way of life is gone forever. He adapts to the situation masterfully, but he does not fully abandon the idealized Southern past.
Rhett falls in love with Scarlett, but, despite their eventual marriage, their relationship never succeeds because of Scarlett’s obsession with Ashley and Rhett’s reluctance to express his feelings. Because Rhett knows that Scarlett scorns men she can win easily, Rhett refuses to show her she was won him. He mocks her, argues with her, and eventually resorts to cruelty and indifference in order to win her. But his fondness for her is evident in his support of her, as he encourages her to shun social customs and gives her money to start her own business.

[h=4]Ashley Wilkes[/h] Blond, dreamy, and honorable, Ashley Wilkes is the foil to Rhett’s dark, realistic opportunism. Ashley courts Scarlett but marries Melanie Hamilton, thus setting in motion Scarlett’s central conflict. Ashley is the perfect prewar Southern gentleman: he excels at hunting and riding, takes pleasure in the arts, and comes from an excellent family.

Scarlett’s idealization of Ashley slowly fades as time goes on, and she finally sees that the Ashley she loves is not a real man but a man embellished and adorned by her imagination. Ashley admits to his love for Scarlett, but as a gentleman he ignores this love in order to marry Melanie, the more socially appropriate match for him. He excels at battle despite his doubts about the Southern cause. As the novel progresses, though, Ashley displays signs of weakness and incompetence. After the war he is worthless on the plantation and cannot adjust to the new world. Whereas Rhett and Scarlett survive by sacrificing their commitment to tradition, Ashley cannot or will not allow himself to thrive in a changed society. He sinks even lower as he sacrifices his honor—the only thing he still values in himself—by accepting charity from Scarlett in the form of a share in her mill and by kissing her twice.
Ashley represents the Old South and Southern nostalgia for the prewar days. He epitomizes the old lifestyle and cannot function in the New South that emerges during and after the war. Scarlett clings to him like many Southerners cling to dreams of their old lives, but her eventual recognition of Ashley’s weakness and incompetence enables her to see that dreaming of a lost world makes one weak.


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[h=3]Themes, Motifs & Symbols[/h] [h=4]Themes
[/h]

Themes are the fundamental and often universal ideas explored in a literary work.​

[h=5]The Transformation of Southern Culture[/h] Gone with the Wind is both a romance and a meditation on the changes that swept the American South in the 1860s. The novel begins in 1861, in the days before the Civil War, and ends in 1871, after the Democrats regain power in Georgia. The South changes completely during the intervening years, and Mitchell’s novel illustrates the struggles of the Southern people who live through the Civil War era.

The novel opens in prewar Georgia, where tradition, chivalry, and pride thrive. As the Civil War begins, the setting shifts to Atlanta, where the war causes the breakdown of traditional gender roles and power structures. When the South loses the war and the slaves are freed, putting a stop to the Southern way of life, the internal conflict intensifies. White men fear black men, Southerners hate profiteering or domineering Northerners, and impoverished aristocrats resent the newly rich. Mitchell’s main characters embody the conflicting impulses of the South. Ashley stands for the Old South; nostalgic and unable to change, he weakens and fades. Rhett, on the other hand, opportunistic and realistic, thrives by planting one foot in the Old South and one foot in the New, sometimes even defending the Yankees.

[h=5]Overcoming Adversity with Willpower[/h] Scarlett manages to overcome adversity through brute strength of will. She emerges as a feminist heroine because she relies on herself alone and survives the Civil War and Reconstruction unaided. She rebuilds Tara after the Yankee invasion and works her way up in the new political order, taking care of helpless family members and friends along the way. Mitchell suggests that overcoming adversity sometimes requires ruthlessness. Scarlett becomes a cruel businesswoman and a domineering wife, willingly coarsening herself in order to succeed. Other characters succeed by exercising willpower, among them Old Miss Fontaine, who watched Indians scalp her entire family as a child and then gritted her teeth and worked to raise her own family and run a plantation. Rhett Butler also wills his way to success, although he covers up his bullheaded willpower with a layer of ease and carelessness.

[h=5]The Importance of Land[/h] In Chapter II, Gerald tells Scarlett that “[l]and is the only thing in the world that amounts to anything.” At critical junctures Scarlett usually remembers that land, specifically Tara, is the only thing that matters to her. When Scarlett escapes to Tara from Atlanta during the war, she lies sick and weak in the garden at neighboring Twelve Oaks and the earth feels “soft and comfortable as a pillow” against her cheek. After feeling the comfort of the land, she resolves to look forward and continue the struggle with newfound vigor. Scarlett prizes land even over love. When Ashley rejects Scarlett’s proposed affair, he gives her a clump of Tara’s dirt and reminds her that she loves Tara more than she loves him. Feeling the dirt in her hand, Scarlett realizes that Ashley is right. At the end of the novel, when all else is lost, Scarlett thinks of Tara and finds strength and comfort in its enduring presence.

[h=4]Motifs
[/h]

Motifs are recurring structures, contrasts, or literary devices that can help to develop and inform the text’s major themes.
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[h=5]Female Intelligence and Capability[/h] Despite the severe gender inequality of their time, women in Gone with the Wind show strength and intelligence that equals or bests the strength and intelligence of men. Scarlett is cunning, and manipulates men with ease. She runs Tara when her father falls ill, and eventually realizes that she has a better head for business than most men. She becomes a very successful mill owner, running every aspect of the business and putting her weak, incompetent husband to shame. Melanie, although she is a subdued figure, exhibits increasing strength as the novel progresses, and she eventually emerges as the novel’s strongest female character. She provides much of Scarlett’s strength, although Scarlett realizes this only at the end of the novel. Melanie also protects Ashley from the world he cannot face. Despite her humble means, she single-handedly facilitates the restoration of Atlanta society. Old Miss Fontaine and Ellen also demonstrate strength and intelligence. Both women act as head of the family, and the narrator describes Ellen as the true mind and strength behind Tara.

[h=5]Alcohol Abuse[/h] Alcohol abuse occurs throughout the novel, as Gerald, Scarlett, and Rhett all rely heavily on drinking. Characters use alcohol to cope with stress, but when they abuse alcohol, disaster ensues. Drinking is partly responsible for Gerald’s death: he rides his horse while drunk, misses a jump, and is thrown to his death. Mitchell suggests that Scarlett cheapens herself unnecessarily by drinking. Gerald disapproves of her drinking, which begins only after she escapes Atlanta, because ladies never drink liquor in polite Southern society. Scarlett continues to drink at Tara whenever she feels overworked or troubled, and she brings her habit to Atlanta when she moves back. Rhett’s drinking reveals his insecurity, a disaster for Rhett since he is obsessed with mastery and self-sufficiency. Rhett begins to drink heavily as his relationship with Scarlett deteriorates, and he drinks even more when their daughter, Bonnie, dies.

[h=5]Prostitution[/h] Prostitution threatens and embarrasses the characters, but it also intrigues them. Scarlett first sees a prostitute in Atlanta and is instantly fascinated. The woman she sees is Belle Watling, and the fascination she feels persists throughout the novel. Belle is an exaggerated version of Scarlett, which perhaps explains Scarlett’s interest in her. Both women ignore social mandates, manipulate and seduce men, and trade *** for money. Scarlett offers to prostitute herself to Rhett in order to get money for taxes, putting herself in Belle’s moral camp. If Scarlett can be read as a high-class prostitute, Belle can be read as a low-class aristocrat. Belle has the ideal aristocrat’s impulse to help the needy; she saves Atlanta’s Ku Klux Klan members from prosecution by providing an alibi for them. Mitchell depicts Belle as human and generous and perhaps morally superior to the ruthless Scarlett she resembles.

[h=4]Symbols
[/h]

Symbols are objects, characters, figures, or colors used to represent abstract ideas or concepts.​

[h=5]Rhett Butler[/h] Rhett represents the uneasy coexistence of the Old South, the New South, and the North. He is nostalgic about the traditional values of the Old South, he is opportunistic and ethically loose in the New South, and he supports the Yankees when he believes in them or when an alliance with the North benefits him. Because he does not ally himself with only one camp, he feels free to criticize all groups, even those he sometimes supports. In his shifting allegiance he symbolizes the uncertainty about the future that pervades the South in the postwar era.

[h=5]Atlanta[/h] Atlanta, burned by the Yankees and then rebuilt, symbolizes the resiliency of the South. Atlanta has little to do with the Old South—born as a railroad hub, it becomes strategically vital to the South during the Civil War. After rebuilding, Atlanta becomes a city of the New South, run by Northerners and Scalawags (white Southerners who supported the efforts of the Reconstruction-era government) and is characterized by garish wealth on one side and squalid poverty on the other. Mitchell contrasts this vibrant New South city of saloons, Yankees, and freed slaves with Tara, the Old South plantation that runs on tradition.


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[h=3]Key Facts[/h] full title · Gone with the Wind
author · Margaret Mitchell
type of work · Novel
genre · Romance novel; historical fiction; bildungsroman (novel that charts the maturation of the main character)
language · English
time and place written · 1926–1936; Atlanta
date of first publication · 1936
publisher · Houghton Mifflin
narrator · The anonymous narrator speaks in the third person and is omniscient, having access to the thoughts, emotions, and histories of all characters and possessing insight into the context and consequences of events in the novel that the characters lack. The narrator generally voices the upper-class Southern perspective on the Civil War and slavery.
point of view · The narrator follows Scarlett almost exclusively, occasionally pulling back to give broad historical descriptions and analysis
tone · The narrator treats the characters and the plot seriously but often criticizes characters who take themselves too seriously
tense · Past
setting (time) · 1861–early 1870s
setting (place) · Atlanta; Tara, the O’Hara plantation in northern Georgia
protagonist · Scarlett O’Hara
major conflict · Scarlett struggles to find love, trying out Ashley Wilkes and Rhett Butler, while simultaneously trying to adjust to the changing face of the South
rising action · Scarlett confesses her love to Ashley; Scarlett marries Rhett; Scarlett and Ashley embrace
climax · Bonnie dies while horseback riding, breaking the tie that binds Rhett and Scarlett
falling action · Scarlett falls down the stairs and miscarries; Rhett tells Melanie of his love for Scarlett; Melanie dies; Scarlett realizes that she loves Rhett, not Ashley; Rhett abandons Scarlett
themes · The transformation of Southern culture; overcoming adversity with willpower; the importance of land
motifs · Female intelligence and capability; alcohol abuse; prostitution
symbols · Rhett Butler; Atlanta
foreshadowing · Gerald O’Hara’s dangerous horse-jumping in Chapter II is part of a pattern of reckless behavior and hints at his later death, and that of Scarlett’s daughte Bonnie Blue, both in riding accidents


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